Boissonas was born on June 18, 1858 in Geneva; he directed his father’s photographic studio from 1887 to 1920.
His intention to find unusual landscapes inspired him to travel to Greece several times, and he ended up staying in the country for about thirty years, pursuing his single-minded passion to document the beauty of his beloved country.
His many adventures included the first-known ascent of Mount Olympus in 1913. He visited most regions of the Greek mainland and sailed to many of the country’s islands.
Boissonnas’ prominent career
Boissonas’ work was key to the evolution of photography in Greece during the 20th century; he managed to attract a great deal of European attention for Greece in the inter-war period through his striking photographs.
The well-deserved recognition and the awards he garnered during his career made him a favorite among European royalty, who flocked to his Paris studio for their portraits. Among his most famous technical achievements ever was his photograph of Mont Blanc, the highest mountain in Europe, which he took with a telephoto lens made in England.
It was a photo that made its way around the world.
Greece Through The Mountains and The Valleys
A few years later, Boissonas was commissioned to do something similar in Parnassus, Greece. He and Daniel Baud-Bovy, the dean of the School of Fine Arts in Geneva, started off from Corfu, then traveled to Athens and on to Mt. Parnassus.
The photographer created an album in 1910 of his trips around Epidaurus, Attica, and Meteora. Entitled “En Grece Par Monts et Par Vaux” (“Greece Through The Mountains and The Valleys”), it was soon sold out, winning praise from prominent Greek statesman, Eleftherios Venizelos.
In 1911, Boisonnas visited the islands of the Aegean. After photographing the isles of Skyros, Tinos, Mykonos, Delos, Naxos, Amorgos, Santorini, Sikinos, Sifnos, Paros, and Ios, he ended his idyllic tour on Crete.
He returned to Greece in 1913 to tour the northern part of the country after the government finally agreed to fund his project of photographing the regions of Epirus and Macedonia. The resulting book Epirus, the Cradle of Greece was a masterpiece of photography that clearly delineated the ties of the region to ancient Greece.
Over the years, Boissonas’ work and his collaboration with Greek diplomats greatly assisted in the understanding of how Greek history figured in the overall context of European history. This was especially vital during the time of the Balkan Wars.
His work Touring in Greece includes rich photographic material from his trips around the country with text from the photographer himself.